Showing posts with label Breaking Bad. Show all posts
Showing posts with label Breaking Bad. Show all posts

Thursday, July 21, 2022

Podcast Episode 392: Building a 2000's Streaming Service: A TV Draft Game

 

In this week's special episode David, John and Kyle hold a draft to see which host can build the best streaming service with shows that all premiered in the 2000s. Which host will have the best show picks in the five categories of comedy, drama, reality/animation, network hit and wildcard?



Want more Dual Redundancy? Be sure to subscribe to the podcast wherever you get your podcasts! 
For our original 1990s streaming service draft click here.

Thursday, February 20, 2020

Podcast Episode 281: Locke & Key and Mythic Quest: Raven's Banquet Series Premieres


In this week's episode David and John discuss some Breaking Bad criminals (1:30) and a possible streaming service coming from ViacomCBS (6:40). We also discuss the latest in Netflix news including how they are now measuring ratings (12:10), the ability to turn off autoplaying (18:40) and a new "Watch Now" feature (24:20). Finally, we review two series premieres of new streaming series: Apple TV+'s Mythic Quest: Raven's Banquet (28:20) and Netflix's Locke & Key (41:15).
   

You can also listen to past episodes of the podcast on iTunes or on our YouTube channel. Also be sure to subscribe to our Twitch channel!

Saturday, October 19, 2019

Podcast Episode 266: Succession Season 2 and El Camino: A Breaking Bad Movie


In this week's episode David, John and Kyle discuss a movie theater prank banning “singles” from Joker screenings (1:45), the increase in “Joker” searches on an adult website (11:25) and how two men hacked into a video billboard (19:00). We then discuss Succession season two including the season finale “This is Not for Tears” (23:45) Finally, we review the Breaking Bad movie: El Camino (46:30).

 

You can also listen to past episodes of the podcast (including our Breaking Bad final season coverage) on iTunes or on our YouTube channel. Also be sure to subscribe to our Twitch channel!

Saturday, July 12, 2014

Emmys 2014: Catch Up on the Nominated Shows!


Earlier this week the 66th Emmy Award nominations were announced. What are our thoughts on a variety of episodes from these Emmy nominated shows? Here are links to past podcasts for some of the nominated shows:

Outstanding Comedy Series
Louie (Premiere & Fourth Season)
Modern Family (Season Five Finale)
Orange is the New Black (Season One)
Silicon Valley (Series Premiere)
Veep (Season Three Premiere & Finale)

Outstanding Drama Series
Breaking Bad (The Final Season)
Game of Thrones (Season Four Premiere, Episode Eight & Finale)
House of Cards (Season Two)
Mad Men (Season Seven Premiere & Finale)
True Detective (Series Premiere & Finale)

Outstanding Miniseries
Fargo (Series Premiere & Finale)

Other nominated shows we discussed this Emmy season include The Americans, Archer, Bob's Burgers, Brooklyn Nine-Nine, Community, Cosmos, Girls, Glee, The Good Wife, Homeland, How I Met Your Mother, Justified, Masters of Sex, Nurse Jackie, Portlandia, Scandal, Sherlock, Survivor, The Tonight Show Starring Jimmy Fallon, and The Walking Dead.

All of these episodes are available on a variety of platforms including iTunes, Stitcher and YouTube. Stay tuned for even more Emmy coverage including nomination reactions and predictions!

Thursday, June 19, 2014

Emmys 2014: Filling Out the Emmy Ballot - Who & What Should Be Nominated?

via Emmys.com

The deadline to submit ballots for the 2014 Emmy Awards is Friday, June 20th. For any Academy members still on the fence over what names to write down, here's a run-down of TV's best and brightest talent from the last season of TV, complete with some liner notes on why some picks were made and who/what just missed the cut.

OUTSTANDING DRAMA SERIES:
1. Breaking Bad, AMC
2. Hannibal, NBC
3. The Americans, F/X
4. The Good Wife, CBS
5. True Detective, HBO
6. Game of Thrones, HBO
7. Masters of Sex, Showtime
8. Mad Men, AMC
9. Boardwalk Empire, HBO
10. Orphan Black, BBC America

All of these shows wowed with their writing, directing and acting this year. But the Top 6 all had a sense of urgency about them, a boldness that demands their place in the sun. Masters and Mad Men  and Boardwalk were all subtly stellar, but with so many quality contenders in play, that's not enough for a nomination.

OUTSTANDING COMEDY SERIES
1. Veep, HBO
2. Orange is the New Black, Netflix
3. Girls, HBO
4. Community, NBC
5. Louie, F/X
6. Enlisted, FOX
7. Looking, HBO
8. Parks and Recreation, NBC
9. Brooklyn Nine-Nine, FOX
10. Getting On, HBO

Please, please, please, let this be the year Modern Family is usurped. Everything in slots 1-5 broke new comedic ground. Enlisted gets the last spot because it was genuinely fun and funny and maybe some Emmy love could bring it back somewhere.

OUTSTANDING LEAD ACTOR IN A DRAMA SERIES
Bryan Cranston as Walter White, Breaking Bad
Jon Hamm as Don Draper, Mad Men
Matthew McConaughey as Rust Cohle, True Detective
Mads Mikkelsen as Dr. Hannibal Lecter, Hannibal
Matthew Rhys as Phillip Jennings, The Americans
Michael Sheen as Bill Masters, Masters of Sex

This was a pretty easy category to narrow down, as these gentlemen are leagues and bounds ahead of anybody else on TV (or, realistically, film) today. The toughest omission was Hannibal's Hugh Dancy, whose character's half-season stint in jail limited his screen time.

OUTSTANDING LEAD ACTRESS IN A COMEDY SERIES
Lizzy Caplan as Virginia Johnson, Masters of Sex
Julianna Marguiles as Alicia Florrick, The Good Wife
Tatiana Maslany as Sarah, Beth, Cosima, Rachel (and More), Orphan Black
Elisabeth Moss as Peggy Olson, Mad Men
Keri Russell as Elizabeth Jennings, The Americans
Robin Wright as Claire Underwood, House of Cards

Kerry Washington's baby bump really hampered her performance this season and allowed Robin Wright to sneak in, as the latter's monologue about a terminated pregnancy was the season's most gripping sequence. Caplan balanced vulnerability and strength with grace. Russell played nearly as many characters as Maslany this season and will probably get half the credit. Moss still managed to charm while Peggy got nastier, up until her cathartic, triumphant Burger Chef pitch. And Marguiles is just plain outstanding.

OUTSTANDING LEAD ACTOR IN A COMEDY SERIES
Louis C.K. as Louie, Louie
Jonathan Groff as Patrick, Looking
Jake Johnson as Nick Miller, New Girl
Joel McHale as Jeff Winger, Community
Chris O'Dowd as Tom Chadwick, Family Tree
Adam Scott as Ben Wyatt, Parks and Recreation

This category needs a drastic upheaval from last year. Keep C.K., because he's essentially the second-coming, and add these other hysterical, lovable, charming guys.

OUTSTANDING LEAD ACTRESS IN A COMEDY SERIES
Malin Akerman as Kate, Trophy Wife
Lena Dunham as Hannah Horvath, Girls
Julia Louis-Dreyfus as Selina Meyer, Veep
Laurie Metcalf as Jenna James, Getting On
Amy Poehler as Leslie Knope, Parks and Recreation
Taylor Schilling as Piper Chapman, Orange is the New Black

Akerman balanced being quirky and straight in this role perfectly, perhaps alienating viewers who were accustomed to one extreme or the other. Dunham is finally fully comfortable making the rest of us uncomfortable. JLD is an MVP and will probably walk away with her third straight trophy. Metcalf channeled Steve Carell's Michael Scott in a thankless role on an outlier program, but damn if she wasn't great. Poehler is coasting on goodwill but still finds ways to draw humor from the Pawnee stone. Schilling's hilarity is understated but potent, if that makes any sense, and she belongs here waayyy more than she does in Drama Actress.

OUTSTANDING SUPPORTING ACTOR IN A DRAMA SERIES
Josh Charles as Will Graham, The Good Wife
Peter Dinklage as Tyrion Lannister, Game of Thrones
Dean Norris as Hank Schrader, Breaking Bad
Aaron Paul as Jesse Pinkman, Breaking Bad
Jeff Perry as Cyrus Beene, Scandal
Jeffrey Wright as Valentin Narcisse, Boardwalk Empire

Charles Dance (Game of Thrones' Tywin Lannister) was painfully omitted from the lineup because he just didn't have enough to do. Everything he did do, however, was marvelous. He nearly bumped Jeff Perry, whose show is far from perfect but holds things together with his signature brand of arrogance. Jeffrey Wright was also on the fence (along with his co-star Michael K. Williams) but left a huge impact after all these months that his exclusion would be unforgivable. Josh Charles may have left The Good Wife, but don't forget the vehemence he closed the role out with in episodes like "Hitting the Fan." The Breaking boys did fine work and should be lauded eternally. And Peter Dinklage roared back into the awards conversation with his monologue at Tyrion's trial. Should his character really be offed Sunday night, this could be his last chance to win in this role.

OUTSTANDING SUPPORTING ACTRESS IN A DRAMA SERIES
Christine Baranski as Diane Lockhart, The Good Wife
Anna Gunn as Skyler White, Breaking Bad
Monica Potter as Cristina Braverman, Parenthood
Gretchen Mol as Gillian Darmody, Boardwalk Empire
Maisie Williams as Arya Stark, Game of Thrones
Bellamy Young as Mellie Grant, Scandal

Sophie Turner had the GoT slot locked up until Williams' literal death glare in the season 4 finale really showed off her chops. Bellamy Young's drunk monologues are the highlight of Scandal. Gretchen Mol made incestuous, murderous, drug-addled Gillian Darmody a likable character by the end of season 4. Christine Baranski handled her show's change of tone admirably. Monica Potter kept the tears flowing. And Anna Gunn just destroyed her competition.

OUTSTANDING SUPPORTING ACTOR IN A COMEDY SERIES
Fred Armisen as Various Characters, Portlandia
Raul Castillo as Richie, Looking
Adam Driver as Adam Sackler, Girls
Chris Pratt as Andy Dwyer, Parks and Recreation
Timothy C. Simons as Jonah, Veep
Parker Young as Randy Hill, Enlisted

Pratt has been so great for so long, his absence in the first half of this Parks season left the show worse off. Simons is a lightning rod of nasty jokes, taking a beating so the show can rise above. Young's show may be dead but his performance was so alive and fun that it must be remembered. Driver normalized Adam this year and turned out even stronger performances. Armisen was just uproariously funny in every sketch. On the other hand, Castillo wasn't even the slightest bit funny, but he brought an honesty to his role that made Richie lovable.

OUTSTANDING SUPPORTING ACTRESS IN A COMEDY SERIES
Danielle Brooks as Tasha "Taystee" Jefferson, Orange is the New Black
Carrie Brownstein as Various Characters, Portlandia
Anna Chlumsky as Amy Brookheimer, Veep
Kate McKinnon as Various Characters, Saturday Night Live
Kate Mulgrew as Galina "Red" Reznikov, Orange is the New Black
Michaela Watkins as Jackie, Trophy Wife

The two OITNB ladies act their butts off in both comedic and dramatic moments. The two sketch comedy ladies constantly reveal new layers of humor behind their beautiful exteriors. Watkins, an SNL alum, brought the goofy to network comedy, and Chlumsky brought the venom. All these women are equal parts talented and hilarious.

OUTSTANDING GUEST ACTOR IN A DRAMA SERIES
Jeremy Davies as Peter Bernardone, Hannibal
Harry Hamlin as Jim Culter, Mad Men
Robert Morse as Bert Cooper, Mad Men
Joe Morton as Eli Pope, Scandal
Michael Pitt as Mason Verger, Hannibal
Ray Romano as Hank Rizzoli, Parenthood

Davies won for Justified two years ago and, frankly, could have won again for his reappearance this year, but why not spread the love to an under-appreciated Emmy newcomer? Same goes for Pitt's diabolical Mason Verger. Hamlin played diabolical in a much smarmier way, shedding all stigmas associated with his early roles. Morse is the favorite here, a splendid performer on a chaotic Mad Men season. Romano has quickly ascended the ranks of beloved Parenthood characters, and if Jason Ritter could get a nomination for playing one of Sarah (Lauren Graham)'s beaus, why not Ray? And Joe Morton's role is a Shakespearean POWER. HOUSE. of epic proportions.

OUTSTANDING GUEST ACTRESS IN A DRAMA SERIES
Gillian Anderson as Dr. Bedelia Du Maurier, Hannibal
Allison Janney as Margaret Scully, Masters of Sex
Margo Martindale as Claudia, The Americans
Hettienne Park as Beverly Katz, Hannibal
Carrie Preston as Elsbeth Tascioni, The Good Wife
Gina Torres as Bella Crawford, Hannibal

For as macabre and "bromantic" as Hannibal inherently is, Bryan Fuller casted some fabulous actresses in several meaty roles. Preston's character won last year and is strong enough to be spun-off into a companion series. Martindale is consistently great, though those who only know her from The Millers may be surprised. And Allison Janney's portrayal of an unsatisfied woman's journey to self-acceptance was a marvel to witness.

OUTSTANDING GUEST ACTOR IN A COMEDY SERIES
Jonathan Banks as Professor Buzz Hickey, Community
Steve Buscemi as Marty, Portlandia
Gary Cole as Kent Davison, Veep
Mitch Hurwitz as Koogler, Community
Stephen Merchant as Leslie Higgins, Modern Family
Pablo Schreiber as George "Pornstache" Mendez, Orange is the New Black

Hurwitz isn't even an actor and he out-shone every other guy here. Banks did more subtle work but fine work nonetheless. Buscemi's celery salesman was classic wonky Buscemi that just fit together nicely. Merchant's memorable turn as an over-eager hotel employee helped make "Las Vegas" Modern Family's best episode in years. Cole and Schreiber were arguably supporting actors in their respective seasons, but since they're eligible here, they absolute need inclusion.

OUTSTANDING GUEST ACTRESS IN A COMEDY SERIES
Uzo Aduba as Suzanne "Crazy Eyes" Warren, Orange is the New Black
Sarah Baker as Vanessa, Louie
Laverne Cox as Sofia Burset, Orange is the New Black
Gaby Hoffman as Caroline Sackler, Girls
Patti LuPone as Herself, Girls
Taryn Manning as Tiffany "Pennsatucky" Doggett, Orange is the New Black

More OITNB love, as its ensemble is TV's current best. LuPone parodied herself perfectly. Hoffman let everything go on screen. And Sarah Baker's "So Did The Fat Lady" monologue was such a watercooler moment of this TV season, an Emmy snub would be an egregious slight.

OUTSTANDING DIRECTING FOR A DRAMA SERIES
Breaking Bad, "Felina" (Vince Gilligan)
Breaking Bad, "Ozymandias" (Rian Johnson)
Homeland, "The Star" (Lesli Linka Glatter)
Mad Men, "Waterloo" (Matthew Weiner)
True Detective, "Who Goes There" (Cary Fukunaga)

Skyler choosing between phone and knife. Walt's last stand. Brody's devastating end. Bert's fantastical goodbye. Rust's 6-minute descent into madness. Wow.

OUTSTANDING DIRECTING FOR A COMEDY SERIES
Community, "Geothermal Escapism" (Joe Russo)
Girls, "Two Plane Rides" (Lena Dunham)
Modern Family, "Las Vegas" (Gail Mancuso)
Orange is the New Black, "Can't Fix Crazy" (Michael Trim)
Veep, "Crate" (Chris Addison)

Troy falling back into the lava. Hannah with her acceptance letter. The farcical comings and goings in the Las Vegas hotel. The Christmas pageant (and the battle in the prison yard). Everyone's reactions to Selina's change of status. Double wow.

OUTSTANDING WRITING FOR A DRAMA SERIES
The Americans, "Echo" (Joel Fields & Joe Weisberg)
Breaking Bad, "Felina" (Vince Gilligan)
Breaking Bad, "Ozymandias" (Moira Walley-Beckett)
The Good Wife, "The Last Call" (Robert King & Michelle King)
Mad Men, "The Strategy" (Semi Chellas)

Where's "Hitting the Fan" for The Good Wife? That's a much stronger episode of TV than "The Last Call", which is an extremely strong episode of TV. Everything here is great, but that was a home-run, even against Breaking Bad. Perhaps Jared's reveal and Don and Peggy's dance are enough to knock down the meth kingpins.

OUTSTANDING WRITING FOR A COMEDY SERIES
Community, "Cooperative Pollygraphy"(Alex Rubens)
Girls, "Beach House" (Jenni Konner & Lena Dunham & Judd Apatow)
Looking, "Looking for the Future"(Andrew Haigh)
New Girl, "Mars Landing" (Josh Malmuth & Nina Pedrad)
Orange is the New Black, "I Wasn't Ready (Pilot)" (Liz Friedman & Jenji Kohan)

Most of these deal with relationships. The study group's relationship to their dead friend and to each other in his absence. Old friends realizing their lives are changing. New relationships budding. Old relationships dying. And isolation from all relationships and the effect that has on someone. All these shows handle character consistently well, these are just the best exampled.

Who are you hoping gets nominated this year? Sound off in the comments or give me a ring on Twitter, @miketvladue. And be sure to check back at Dual Redundancy for all your Emmy awards coverage!

Saturday, January 4, 2014

Podcast Episode 46: Predicting the Unpredictable 2014 Golden Globe Awards


Every year David and Mike try to predict the very unpredictable Golden Globe Awards in a very special episode of Dual Redundancy. This year they try and forecast who will take home the globe in all the major television (4:53) and film (31:35) categories for the 71st Golden Globes.

The 2014 Golden Globe Awards are on Sunday, January 12th on NBC and will be hosted by Tina Fey and Amy Poehler.



You can also listen to past episodes of the podcast on iTunes or on our YouTube channel.

Sunday, December 29, 2013

2013: A Dual Redundancy Flashback


2013 has been a busy and exciting year for Dual Redundancy!

Over the course of the year we have done 21 podcasts with topics ranging from Academy Award predictions to Michael Bay being attacked by a flying air conditioner. Much to our displeasure we even talked about Glee at least twice.

In March, after Arrested Development was named the best TV show the year before, we held another bracket putting Oscar best picture winners against Oscar snubs and runner-ups. In the final match-up The Shawshank Redemption, literally found redemption and won over the godfather of classic movies, The Godfather.

You also voted every week on what shows we would cover on the weekly wind down podcast. In just nine episodes we covered 26 different shows including The Walking Dead, Parks and Recreation, Survivor, Scandal, The Good Wife, Homeland, and Masters of Sex. We even did an episode focusing solely on Netflix's programming from 2013 (House of Cards, Arrested Development, and Orange is the New Black).

However, one of the biggest shows of 2013 received its own weekly podcast. Starting in August every week we broke down the latest episode of Breaking Bad's final season. It was not only hard for us to say goodbye but you also had trouble since it was highly ranked in two separate categories in our yearly wind down special.

While we talked for hours and hours about entertainment this year, we also wrote a lot of it all down. Over here on the Dual Redundancy blog we had recaps on shows such as Big Brother, Girls, and Whodunnit? We also ranked the best shows of 2013 and some of the best American Idol performances as well. Finally, we became your one stop destination for entertainment news covering stories like Ben Affleck being named the next Batman and how Katy Perry possibly stole a song and liked it.

From all of us here at Dual Redundancy thank you so much for making 2013 so great. We can't wait to see what 2014 has in store!

Tuesday, December 24, 2013

The Best of 2013: Dave's Top 13 TV Shows of the Year


By David Allen

Just like I did last year, before we can close up 2013 and start judging the entertainment of 2014, we need to look back on what was so great about this year in television. Below is what I believe to be the thirteen best shows of 2013. (Possible spoilers below).


13. New Girl

Ranking New Girl is tricky. As with all these shows I am looking at all the episodes that aired in the calendar year of 2013. For New Girl this includes both the second half of season two and the first part of season three. While the tenants of 4D beat out the sophomore slump with a great second season developing both Schmidt and Nick’s characters (and also creating Julius Pepperwood), season three took an interesting turn. Instead of giving us seasons of “will they/won’t they” (à la Jim and Pam) Nick and Jess finally became a couple and had sex. For the most part this plot development has created some bumpy storylines. I’m looking at you “All In” and “The Box.” However, the idea that I am scratching my head the most about is how they treating Schmidt. For a fan favorite they are really taking him down a notch (and how dare you create a new notch in his belt worn by Kanye West)! First they make him look like, to steal a word from the show, “douchebag” for dating both Cece and Elizabeth at the same time. Then he tries to break up Nick and Jess because he cannot see them happy when he isn’t. Man he is really filling up that jar of his! In the end, despite some problems, season two’s highlights outshine the dark spots of season three and with Coach returning the future looks bright for the rest of the season. As for Winston, he’s having fun being color-blind solving puzzles with a cat, leave him be.


12. The Walking Dead

While most of America couldn’t get enough of Rick and the gang this year (over 16 million people tuned in for the season four premiere) I was in this for the Governor played by David Morrissey. When watching I was more interested in what he was doing at Woodbury than what Rick’s group was doing at the prison (which wasn’t much at all). For the most part many of the characters at the prison still feel one-sided and have only one goal or character motivation: survive. However the Governor seems more fleshed out and an interesting anti-hero. When the show focused two episodes solely on him (“Live Bait” and “Dead Weight”) I loved it. To see the big bad guy of season three reformed and trying to start anew, I was not ready to go back to my sentence at the prison. However, in true Walking Dead fashion this did not last long and by midseason we lost the Governor to Rick and the other members of his team that I can never name. Now I am worried for the future of this show. Season two really lacked a villain or a central conflict with them just hanging around the farm. Season three got better, thanks in part due to this conflict with Morrissey’s character, but without him the second half of four may be another period of waiting around. Sure I love to see zombies killed week after week but I need something more and I am not talking about splitting up boring characters in side groups that we will certainly focus on in season four part two. However in the end, 2013 was the year of the Governor and while we probably won’t see Morrissey back in 2014 on The Walking Dead at least we probably see less Carl come the final eight of season four.


11. Brooklyn Nine-Nine

Back in May if you asked me what new fall show I was looking forward to the most Brooklyn Nine-Nine was probably not on my list. Andy Samberg was never my favorite Saturday Night Live character and a police comedy? Already saw that on shows like Reno 911! The first few episodes reminded me of Parks and Recreation and its relationship to The Office. This probably has something to do with the fact that Michael Schur (along with Dan Goor here) is the creator of both shows. However, very much like the first few episodes of Parks and Rec, once Leslie Knope became her own person and unlike Michael Scott, the show started to shine. Many of the characters at the Brooklyn precinct were carbon copies of the Pawnee Parks Department (Captain Holt is Ron Swanson and Detective Diaz is April Ludgate). But now many are beginning to morph into their own identities. Also by becoming more of an ensemble show and focusing less on Samberg’s Jake Peralta, we are getting to see the comedic chops of Joe Lo Truglio and Chelsea Peretti. With a future lead-in of New Girl and an episode airing after the Super Bowl, FOX thinks the gang of the 9-9 have a lot in store for 2014 and I am ready to believe them.


10. Girls

This second season of Girls had me more interested in the guys than Lena Dunham and company. Whether it was Charlie impressing Marnie with his Zuckerberg-like business or just Adam Driver delivering both dramatic and comedic moments with ease, this season was all about the guys. Even Jessa’s quick fiancé played by Chris O’Dowd, Booth’s torture TV booth, and Elijah’s “first time” with Marnie on the couch had me more invested in their stories than Hannah’s out of nowhere battle with OCD. Despite this and a somewhat cliché romantic comedy season ender (no way anyone has that great of a phone connection throughout the city to FaceTime) Lena Dunham further pushed what she could get away with and what she wanted to say this season. Don’t believe me? Just look to “One Man’s Trash” and “On All Fours.” While it will be interesting to see how quick Christopher Abbott’s Charlie is written out especially since season two ended with him finally back together with Marnie, when season three hits in a few weeks I will be ready to see what Lena, the girls, and all the guys have in store.


9. Arrested Development

…and now for the season of a cult show, which received mixed reviews in it’s Netflix premiere. It’s Arrested Development season four. In 2011 it was finally announced that the show barely anybody watched (but everybody loved on DVDs years later) would return after seven years of footage not being found. Leading up to the May 2013 premiere the Internet was so full of frozen bananas, cut-offs, and beads bees that nothing, I repeat, nothing would satisfy everybody’s dreams for the Bluth family. Many did not like the anthology type structure, which had episodes focusing on one Bluth family member (due to the very busy schedules of the now in-demand actors). However, as Mike and I discussed on the podcast, it was perfect Arrested Development. Many forget that when Arrested premiered it was way ahead of its time in not only humor but style as well. Now fast-forward to the revival premiering on a whole different type of “network.” What Mitch Hurwitz and the team did was create a new type of show with a unique style perfect for the medium it was premiering on. It was an ambitious puzzle, which, believe me, requires multiple rewatches much like the original series did. For me, I would much rather have some new ideas and jokes (of course mixed in with some classic callbacks) instead of just episodes reliving their greatest hits, which they could have easily done. However, my only piece of real criticism is in regards to the length. There were times I feel that these episodes (some ranging up to 37 minutes) could have been tightened up to really have the fast paced feel of classic episodes. While Mitch did not have to cut them down to 22 minutes exactly for FOX, each episode could have definitely been shorter with the same ideas conveyed. But in the end I shouldn’t complain because at the end of the day we got some Bluths and some Bluths are better than no Bluths at all.


8. House of Cards

Netflix was on fire this year, so much so that it somehow traveled from the O.C. (don’t call it that) all the way to Washington D.C. House of Cards based on the BBC series of the same name brought political intrigue and betrayal to a whole new level. How did it become so good? It could be due to the caliber in front of the camera. Robin Wright, Kate Mara, and my personal MVP of the season Corey Stoll knocked every scene out of the park and it’s quite a shame we won’t get to see Stoll’s Peter Russo come back in season two. Oh yeah the lead? Played by some newcomer named Kevin Spacey. Believe me this guy is going to make it in this town! As for his character? He is the next Walter White. There are times I see myself rooting for him to lose in hopes to just see his next plan of attack. Other times I am strangely rooting for him to win and get the revenge he may or may not deserve. If Spacey isn’t enough we have executive producer David Fincher behind the camera directing the first episode and creating an even darker Washington then we have ever seen in before. Very much like how the villains of Shakespeare’s plays would look directly to the audience and explain their plan of attack, when Frank Underwood stares and addresses me, I’m all ears and on the edge of my seat ready for what him and House of Cards has up their sleeves.


7. Parks and Recreation

While not as strong as say it’s third season, Parks and Recreation is one of the most consistently funny sitcoms on television today. Unlike a show like Modern Family, which is cranking out mostly the same episode every week, Parks is willing to try new things expanding their Simpsons-like world of crazy characters. While this current season has less Andy Dwyer (since Chris Pratt is filming Guardians of the Galaxy) and will soon see the loss of both Ann Perkins and Chris Traeger, this has allowed for some meatier stories for characters like Retta's Donna. We also received a great villain in Councilman Jamm, played by Jon Glaser. However, the real highlight to put Parks so high up on this list was last season’s wedding episode between Ben and Leslie called “Leslie and Ben.” While originally written as a series finale before NBC asked for more episodes, this episode would have been a great conclusion for everyone in Pawnee, Indiana. While I worry we may not get as good as a series finale once that day comes, as long as NBC gives us one I am sure the Parks team can capture lighting in a bottle again. Just don’t let Jerry Garry Larry be in charge of the finale plans.


6. Mad Men

Oh Don! What a terrible year for you but a great year for Mad Men. While many awards like the Emmys and Golden Globes may be done with you, I’m just as hooked as ever. Despite historical moments like the MLK assassination to great guest spots from Freaks and Geeks’ Linda Cardellini, this season was all about the downfall of Don Draper. Between Sally walking in on her father cheating on yet another wife to unpredictable behavior at the Hershey’s pitch, Don was off of his game this season. By the end season six he loses Megan, is forced to take a leave of absence and he finally opens up to his children about his mysterious past and growing up in that brothel in Pennsylvania. It will be interesting to see if the Emmys will welcome Don and the gang of Sterling Cooper & Partners back and if Don will be able to pick himself up and become the powerful and important man he once was in this final, but two-part, seventh season.


5. Survivor: Blood vs. Water

Can you believe it? 27 seasons! Survivor has been on for 13 years (and will be hitting 15 years with the recently announced Survivor 29 & 30). While many shows start declining by season three (Homeland I’m looking at you) Survivor hit a high point this year. While season 26 in Caramoan was no sleeper, with The Three Amigos taking out Stealth R Us Captain Phillip Sheppard, it was all about Blood vs. Water. When the season was first announced I liked the idea of Survivor favorites being joined by a loved one but was worried about the execution. The return of Redemption Island? Day zero? Allowing love ones to switch out once their counterpart is voted out? Idol clues given out to the winner of the duel (which are really truels)? Colton, Rupert, and Laura who? These are my favorites? Calm down with all the twists!! But in the end everything seemed to click. Colton and Rupert left early, Redemption Island brought drama this time around, and idol clues were hilariously burned. The best part about the season? A deserving winner. Tyson Apostol, who was a coconut bandit and found idols left and right, controlled the game. Not to mention we got an amazing “purple rock” tiebreaker (the first since season four) and a girl voted her own mom out of the game! With an interesting concept for Survivor 28 (three tribes of brawn, brains, and beauty all against each other) I can not wait to see what the leader in reality-competition shows gives us next!


4. Masters of Sex

Based on everyone’s favorite book Masters of Sex: The Life and Times of William Masters and Virginia Johnson, the Couple Who Taught America How to Love, Masters of Sex tells the story of William Masters and Virginia Johnson and their controversial sex study back in the late 1950s.  When I first saw the advertisements on billboards in LA I thought it was just a shameful way to try and attract viewers with promises of sex and nudity. While the show is full of these two things, there is so much more. A cousin of Mad MenMasters of Sex explores themes of just not sex but marriage, love, homosexuality, and gender bias in the work place.  Played brilliantly by both Michael Sheen and Lizzy Caplan, Masters and Johnson are two already complex characters that you want to see succeed and at the same time worry that mixing work and play will lead to a disaster down the road. Speaking of down the road, while I am sure there is some sort of timetable for these characters (since it is based on real people doing a real sex study) the show’s home worries me. Showtime has not had a good track record of ending a show before it stays past its welcome (Weeds, Dexter, and soon to be Homeland, which I am sure will be on for the next five years). While this is still (hopefully) a few years down the road for Masters of Sex, at least we have a great freshman season to study over and over again.


3. The Returned

This time last year if you told me a French-speaking show about people coming back to life that re-aired on the Sundance Channel for American audiences would not only be in my top 13 but be number three I would say “je vais le croire quand je le vois.” The Returned, which originally aired on Canal+ in 2012 and was titled Les Revenants, tells the story of a small mountain town where various dead people begin to reappear as if nothing has happened. Imagine if you took the mysteries of Lost, the cinematography and score of Breaking Bad, and I guess “zombies” from The Walking Dead, threw them into a blender along with a French dictionary, the result would be one delicious television show. Perhaps it helps that I have never seen any of these actors in other roles but every single character is believable in their portrayal and are creating a realistic world where people of all ages can be resurrected from the dead. While mystery shows like Lost may have dropped the ball in later seasons, between the acclaim to re-air this show in various markets and a general “rule” that oversea shows do not stay past their prime, I’m hoping The Returned can stay out of any temple, skip the time travel, and leave the polar bears out of this intriguing and puzzling show.


2. Orange is the New Black

Netflix is the new HBO. Again if you asked me in 2012 which Netflix show I was most excited about between this, the Arrested Development revival, and a show about revenge starring Kevin Spacey, a show about a women’s prison would not even be on my radar. However, taking the number two spot on my best of 2013 list is that show starring a bunch of relative unknowns, the girl from That 70s Show, and that guy who “studied” (Dr. William Masters-style) that apple pie. While the show began as Piper Chapman’s adjustment and observations about life inside a women’s prison, it soon morphed into an ensemble story with unique characters detailing how they all ended up at Litchfield Correctional Facility. While there were characters you loved like “Red” and “Taystee”, there were also characters like George “Pornstache” Mendez and Sam Healy that you loved to hate. Whether you did your sentence all at once or spread it out to enjoy every moment, the real punishment is having to wait until mid-2014 until we get to see everyone again and find out what is in store for Chapman after that “screwy” cliffhanger.


1. Breaking Bad

After years of jaw-dropping episodes and fascinating characters this drama starring everyone’s favorite anti-hero finally concluded its final season this September to rave reviews. Of course I am talking about Showtime’s Dexte- sorry I cannot even finish that sentence. Was there any doubt that it would not be Breaking Bad? After a $#!% your pants cliffhanger at the end of season five part one, there was not a second to breathe in these final episodes that saw the end of Walter White. So many great moments that it is hard to even list them all. Hank working with Jesse to trick the great Heisenberg to lead himself right to them. One massive cliffhanger in the To'hajiilee desert that led a nation to yell at their TV screens. A machine-gun robot used to take down a room full of Neo-Nazis! Even the “simpler” moments hit you right in the gut. It was hard not to cry with Walter when baby Holly started asking for her mom in the gas station bathroom. Just watch the ending of "Granite State" one more time as Walt regains his mojo to return to Albuquerque and try not to get chills. I could go on and on for hours (which I did with Mike this season on the podcast) but like Jesse I just need to hop in my car and finally drive away with a giant smile on my face for one hell of an ending. Let’s pray to the king of kings Ozymandias and hope that this spin-off prequel/sequel Better Call Saul makes it to next year’s top 14 and does not tarnish the legacy of this amazing show.


That’s a wrap for 2013! After a year of amazing television I cannot wait to see how 2014 tries to top it. How will the return of Dan Harmon affect Community season five? Will the return of Louie be everything we hope for? What about the second seasons of many of these break out shows? Will shows ending like How I Met Your Mother be able to stick the landing? Only time will tell!

For even more coverage of Mike and I talking about television in 2013, listen to our weekly wind down podcasts on either iTunes or on YouTube.

Do you agree with my list or did I forget to include one of your favorites? Send me your thoughts or lists either in the comments below or @eastwoodmcfly.

Sunday, December 22, 2013

The Best of 2013: Mike's Top 20 TV Shows of the Year


by Mike Ladue

To rehash the ups and downs of this season's top tier TV shows would be redundant, as said analysis exists in the weekly podcasts, countless Twitter odes/diatribes, and basically every conversation I've had with any person in 2013. Talking/writing about television is a boxing match. There's only so many places you can hit, so many times you can pummel and be pummeled before you're exhausted. I want to appreciate the programs that provided me literally hundreds of hours of entertainment this year... but I don't want to talk about TV. Not this time. I need a break. Catch some Oscar-buzzy films, discover some new music, hell, maybe read a book. Come January I'll be refreshed and ready to criticize, analyze and categorize an onslaught of new/returning shows. But for this, I did something different.
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20. Parenthood, NBC
Best Episode: "Speaking of Baggage"
Season MVP: Monica Potter


Parenthood is a family portrait. You examine its details: complex shading reveals brimming smiles, honest eyes, embraces of love and loss. It’s warm, and comforting. Comfortable. You don’t just watch the Bravermans; for that hour, you are a Braverman. It’s not just a portrait of any family – it’s your family, reflected by means of creator Jason Katims’ omniscient ability to lock into character. Into truth. It’s not perfect television – just because something is relatable doesn’t make it compelling. But aren’t “family” and “perfect” mutually exclusive?

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19. The Americans, F/X
Best Episode: "The Colonel"
MVP: Matthew Rhys


The Americans is a blind date. New. Carefully plotted and prepared. There’s an openness, yet it’s littered with half-truths and asterisks. Or is it? You’re constantly questioning, and the answers are just what you want to hear. It’s suspicious. Is it putting on a front? Or is it love? You schedule another date. You need to know.

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18. Bob's Burgers, FOX
Best Episode: "Topsy"
MVP: Dan Mintz


Bob’s Burgers is a full belly. You sit back, unbuckle your belt. Laugh. Hum a little tune in your blissful delirium. You’re satisfied. Blood rushes from your head to your stomach, as your brain turns off and your gut gets its due. If only the feeling lasted longer. 

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17. Mad Men, AMC
Best Episode: "In Care Of"
MVP: Jon Hamm


Mad Men is your grandparents’ house. For years you’d visit and marvel at the trinkets and treasures, explore rooms and drawers for the first time, bond. But now there’s a sense of loss. Constant renovations are needed to keep the house going. You know the ins and outs of every nook and cranny. Loved ones still convene, but  conversations follow tired scripts, like religious responses. The magic is faded… but not gone. Because somewhere, in the depths of the cellar you were too scared to explore, is something that’s hidden for as long as you’ve lived, that’s waited for you to grow up and find it.

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16. Scandal, ABC
Best Episode: "White Hat's Back On"
MVP: Kerry Washington


Scandal is a hurricane. It’s grown from tropical storm, gained momentum from the ocean and finally broken through on mainland.  The scope of the chaos is majestic, patterned, cyclical, almost fatalistic. What goes around comes around, and everything (and everyone) gets sucked in. We must hope those in the hurricane’s path have prepared for it’s trajectory and can minimize unnecessary damage in the coming stages. 

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15. Orphan Black, BBC America
Best Episode: "Natural Selection", "Unconscious Selection"
MVP: Tatiana Maslany


Orphan Black is an experiment. You’re skeptical. There’s no way this could work, right? Early reports are promising, so you test again. And again. Whatever’s happening defies the laws of science. There’s no way these ingredients, in this environment, with so few seeds to be observed, can yield such excellent results. It’s a freak of nature, in the best possible sense.

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14. Hannibal, NBC
Best Episode: "Aperitif", "Savoureux"
MVP: Hugh Dancy


Hannibal is a five-star meal. The ingredients are familiar, but master chef Bryan Fuller prepares and plates with such flair, you spend as much time ogling its beauty as devouring. It’s cooked to perfection. Dark. Every bite delectable. The restaurant earns bad publicity from time to time, steering many food connoisseurs away for the dish. Their loss. 

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13. Parks and Recreation, NBC
Best Episode: "Leslie and Ben", "Filibuster"
MVP: Amy Poehler


Parks and Recreation is a PowerPoint slideshow. It’s bright and colorful, with jokes and musical cues sprinkled throughout. While not the most original, it’s comforting, and when made carefully, inspiring. It teaches you something: how to be a better person, how to make the world a better place. However corny, it makes you feel. 

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12. Boardwalk Empire, HBO
Best Episode: "Goodbye Daddy Blues", "The Old Ship of Zion"
MVP: Jeffrey Wright


Boardwalk Empire is a bottle of whiskey. Not the most popular order, but revered by its consumers. The first taste is overbearing. Dry. But the more you drink, the more you appreciate the subtle flavors infused within. You build up a tolerance, so each subsequent drink is easier to swallow. But be warned – this is no light, fruity drink. Tragedy awaits at the bottom of each bottle. The hangover is something fierce. And just like real whiskey, you’ll find yourself crawling back for more. The pain is worth the pleasure, and no show balances the two better.

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11. Veep, HBO
Best Episode: "Running", "Andrew"
MVP: Julia Louis-Dreyfus


Veep is a machine gun. It lets off more bullets per second than anything else on the market. It’s swift, precise, and oftentimes brutal. Screw the politics surrounding it – it gets the job done. It kills. (Note: I am not condoning actual gun use. In this scenario, “bullets” are “hilarious insults”. The politics surrounding gun safety are important and should be discussed at length, because real people do, in fact, die. I use “kills” here in the colloquial sense, like “Oh, that Brad Garrett. He kills me!”).

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10. The Good Wife, CBS
Best Episode: "Hitting the Fan", "Red Team, Blue Team"
MVP: Josh Charles


The Good Wife is the internet. It’s saturated with viral videos, breaking news, human drama, sex. It’s addictive. It’s so incredibly modern, and accessible, and evolving every day as more and more people flock to discover it. It’s got a unique language; the snark is infectious. You meet new people and catch up with old. Truly something for everyone.

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9. Masters of Sex, Showtime
Best Episode: "Catherine", "Phallic Victories"
MVP: Michael Sheen


Masters of Sex is an aged streetwalker. Foremost, you’re interested in the sex. It’s the draw, the reason she’s on such a premium street in the first place. She’s got a history, though. She’s seen it all. If you listen, she’ll fascinate you. Watch the lines in her face, the light (or absence of) in her eye, and you’ll appreciate more than the sex. The sex was her job, not her identity.

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8. Arrested Development, Netflix
Best Episode: Season 4, binged
MVP: Will Arnett


Arrested Development is a jigsaw puzzle. Meticulously constructed, each piece is wholly unique and essential to the finished product. Only when completed can you grasp the full picture and respect the crafting process. It’s more fun to complete with fellow puzzle-lovers, who know the old pieces by heart and can roll with the new. Do you laugh uproariously while completing such intricate puzzles? No, but that doesn’t mean they aren’t fun.

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7. Justified, F/X
Best Episode: "Decoy"
MVP: Walton Goggins


Justified is a local bar. You go to unwind the week – “happy hour.” You’re surrounded by characters, many of them seedy. You laugh – a lot, as the bartender has a joke for every situation. You might tear up, reminiscing on the good ol’ days. Odds are you’ll catch a fight outside. There will be blood. But your seat is warm and always open. Your drinks are always cheap and always in stock. A home away from home.

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6. The Returned (Les Revenants), Sundance
Best Episode: "Camille"
MVP: Clotilde Hesme


The Returned is a bump in the night. It's quiet, barely noticeable even to the most selective of ears. Once heard, it burrows in the mind, lingering in the conscious. You try to fall asleep, but can’t shake it. It’s not scary, per se, but spine-tingling. Something made the bump, but it’s probably nothing. It couldn’t be as dark as you’re imagining, right…? Wait – there it is again. And it’s louder. Oh no…  

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5. Girls, HBO
Best Episodes: "One Man's Trash", "It's A Shame About Ray"
MVP: Lena Dunham


Girls is a Friday night. You have no idea what kind of trouble you’ll end up in, or who you’ll wake up with. It’s about spending time with friends, making memories, letting go. It’s an attempted escape from reality, but each decision, each drink, stems from the plaguing troubles of that reality. It’s the best and worst years of you life, combined and condensed.

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4. Orange is the New Black, Netflix
Best Episode: "Tall Men With Feelings", "The Chickening"
MVP: Taylor Schilling


Orange is the New Black is a gumbo. Every bite a different taste, a different culture, blended together in delicious harmony. It’s sweet, soulful, savory. Superb. Like your mama made it. You can eat it all at once, or dole out smaller portions as your appetite demands. It’s filling. And it’s good.

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3. Game of Thrones, HBO
Best Episode: "The Rains of Castamere", "And Now His Watch Is Over"
MVP: Nikolaj Coster-Waldau


Game of Thrones is a storybook. (Ok, you knew that.) It unfolds in chapters, its arcs stretching longer, spread thinner than your common TV show. Rich in character, conflict, theme and, most importantly, setting, it weaves these elements at a glacial pace, allowing the audience to appreciate every aspect of such high production value. When it twists, it twists hard, making it impossible to put down. It’s good enough to make a television man want to read.

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2. Enlightened, HBO
Best Episode: "Higher Power", "Agent of Change"
MVP: Laura Dern


Enlightened was a butterfly. It’s two halves symmetrical, perfectly in sync. It flittered too quickly for anyone to notice – anyone without an eye for beauty. It was alive. If you listened closely, you’d hear the mysteries of the universe unravel, discover the path to love, find yourself. Find enlightenment. But it was too special for this world, too real, too good. It mattered, but now it's gone.

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1. Breaking Bad, AMC
Best Episode: "Ozymandias", "Granite State", "Felina"
MVP: Bryan Cranston

Breaking Bad was just a television show. That’s what I keep repeating to myself. It wasn’t the most beautifully shot images ever aired on the small screen. It didn’t feature the best acting I’ll ever witness. It didn’t feature the most deftly written episodes, scenes and lines ever penned. It wasn’t perfect. I keep telling myself, because I hope something will some day top it – maybe I myself can one day reach it’s peaks. But I’m lying.


(For more Breaking Bad, check out our weekly recaps of the final season here.)


Check back later this week for Dave's Best TV ballot, as well as our picks for the best of 2013's film, music and more!